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Coleção particular de D João VI - Pégasus - Pintor: Jan Boeckhorst . 1604 / 1668…

Coleção particular de D João VI - Pégasus - Pintor: Jan Boeckhorst . 1604 / 1668…

Henri de Toulouse Lautrec

Henri de Toulouse Lautrec

Detalhe - Pedro II - Pintor: Antonio Araujo de Souza Lobo 1840/1909 - óleo sobre tela.  Boa parte dos críticos de arte ressalta que Antonio Araújo se destaca nos retratos, mas não se mostra pintor de grande qualidade.

Detalhe - Pedro II - Pintor: Antonio Araujo de Souza Lobo 1840/1909 - óleo sobre tela. Boa parte dos críticos de arte ressalta que Antonio Araújo se destaca nos retratos, mas não se mostra pintor de grande qualidade.

Edgar Degas (French, 1834–1917). At the Milliner's, 1881. The Metropolitan Museum of Art, New York. The Walter H. and Leonore Annenberg Collection, Gift of Walter H. and Leonore Annenberg, 1997, Bequest of Walter H. Annenberg, 2002 (1997.391.1) #paris

Edgar Degas (French, 1834–1917). At the Milliner's, 1881. The Metropolitan Museum of Art, New York. The Walter H. and Leonore Annenberg Collection, Gift of Walter H. and Leonore Annenberg, 1997, Bequest of Walter H. Annenberg, 2002 (1997.391.1) #paris

Odilon Redon (French, 1840–1916). The Chariot of Apollo, 1905–16. The Metropolitan Museum of Art, New York. Anonymous Gift, 1927 (27.29) | Between 1905 and 1916 Redon devoted a number of oils, pastels, and watercolors to the theme of horses of the sun, driven by Apollo or Phaëthon. #horses

Odilon Redon (French, 1840–1916). The Chariot of Apollo, 1905–16. The Metropolitan Museum of Art, New York. Anonymous Gift, 1927 (27.29) | Between 1905 and 1916 Redon devoted a number of oils, pastels, and watercolors to the theme of horses of the sun, driven by Apollo or Phaëthon. #horses

Sala 1 - 2º piso - A Batalha dos Guararapes - 1879 - Pintor: Vitor Meireles de Lima  - Óleo sobre tela

Sala 1 - 2º piso - A Batalha dos Guararapes - 1879 - Pintor: Vitor Meireles de Lima - Óleo sobre tela

Peter Paul Rubens (Flemish, 1577–1640). The Triumph of Henry IV, ca. 1630. The Metropolitan Museum of Art, New York. Rogers Fund, 1942 (42.187) | This energetic sketch shows Henry IV (1553–1610), King of France, entering Paris "in the manner of the triumphs of the Romans," as described in Rubens’s contract of 1622. This is the last of four sketches in which Rubens worked out his heroic allegory of an actual event. #horses

Peter Paul Rubens (Flemish, 1577–1640). The Triumph of Henry IV, ca. 1630. The Metropolitan Museum of Art, New York. Rogers Fund, 1942 (42.187) | This energetic sketch shows Henry IV (1553–1610), King of France, entering Paris "in the manner of the triumphs of the Romans," as described in Rubens’s contract of 1622. This is the last of four sketches in which Rubens worked out his heroic allegory of an actual event. #horses

Simeon Solomon (British, 1840–1905). The Infant Moses (Dalziels' Bible Gallery),1863–81. The Metropolitan Museum of Art, New York. Anonymous Gift, 1926 (26.99.1(29)) #kids

Simeon Solomon (British, 1840–1905). The Infant Moses (Dalziels' Bible Gallery),1863–81. The Metropolitan Museum of Art, New York. Anonymous Gift, 1926 (26.99.1(29)) #kids

Primeira missa no Brasil - Pintor:Vitor Meireles -1861- Primeira pintura brasileira de grandes dimensões - pintada para forjar o momento de “batismo” do Brasil - na qual o índio assume o papel de co-fundador da identidade nacional.

Primeira missa no Brasil - Pintor:Vitor Meireles -1861- Primeira pintura brasileira de grandes dimensões - pintada para forjar o momento de “batismo” do Brasil - na qual o índio assume o papel de co-fundador da identidade nacional.

Invocação à Virgem- Pintor: Vitor Meireles - 1898

Invocação à Virgem- Pintor: Vitor Meireles - 1898

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