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Esta es la historia de la quema de la escultura  de Jean Tinguely

Esta es la historia de la quema de la escultura de Jean Tinguely

Tate: Unlock Art: What's so Funny?

Tate: Unlock Art: What's so Funny?

Tate: Performing for the Camera – First Look

Tate: Performing for the Camera – First Look

Tate: Laurie Simmons – Photography, Film and Lena Dunham | TateShots

Tate: Laurie Simmons – Photography, Film and Lena Dunham | TateShots

The Museum of Modern Art: Picasso Sculpture at MoMA

The Museum of Modern Art: Picasso Sculpture at MoMA

NYC - Museum of Modern Art (MoMA) - Alberto Giacometti by cerdsp, via Flickr

NYC - Museum of Modern Art (MoMA) - Alberto Giacometti by cerdsp, via Flickr

Mark Baum (American, 1903–1997). Seventh Avenue and 16th Street, New York, 1932. The Metropolitan Museum of Art, New York. Edith C. Blum Fund, 1983 (1983.122.2)

Mark Baum (American, 1903–1997). Seventh Avenue and 16th Street, New York, 1932. The Metropolitan Museum of Art, New York. Edith C. Blum Fund, 1983 (1983.122.2)

Henri de Toulouse-Lautrec (French, 1864–1901). The Streetwalker, ca.1890-91. The Metropolitan Museum of Art, New York. The Walter H. and Leonore Annenberg Collection, Bequest of Walter H. Annenberg, 2002 (2003.20.13) #paris

Henri de Toulouse-Lautrec (French, 1864–1901). The Streetwalker, ca.1890-91. The Metropolitan Museum of Art, New York. The Walter H. and Leonore Annenberg Collection, Bequest of Walter H. Annenberg, 2002 (2003.20.13) #paris

Edward Hopper (American, New York 1882–1967). Office in a Small City, 1953. The Metropolitan Museum of Art, New York. George A. Hearn Fund, 1953 (53.183) | Begun in Cape Cod over the summer and finished in New York City, this was the only oil painting Hopper produced that year. Reprising one of his signature subjects—a solitary figure, physically and emotionally detached from his surroundings and other people—it was described by the artist’s wife as "the man in concrete wall."

Edward Hopper (American, New York 1882–1967). Office in a Small City, 1953. The Metropolitan Museum of Art, New York. George A. Hearn Fund, 1953 (53.183) | Begun in Cape Cod over the summer and finished in New York City, this was the only oil painting Hopper produced that year. Reprising one of his signature subjects—a solitary figure, physically and emotionally detached from his surroundings and other people—it was described by the artist’s wife as "the man in concrete wall."

The Museum of Modern Art: Picasso: Guitars 1912-1914 | Picasso's Collage Materials

The Museum of Modern Art: Picasso: Guitars 1912-1914 | Picasso's Collage Materials

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