Adoration of the Shepherds Francesco di Marco Marmitta da Parma (Emilian, 1457–1505). This genre is full of mystery and wonder and filled with many clues about what some minds in medieval Europe really believed and went to great efforts to conceal and reveal though the commissioning of paintings which feature aspects of these unusual worldviews
Coronation of the Virgin GIOVANNI DI PAOLO (Giovanni di Paolo di Grazia) (Italian, Siena 1398–1482 Siena) #TuscanyAgriturismoGiratola
Paradise, c,1598: Carlo Saraceni; the painting includes numerous divine and saintly symbols, including the white dove of the Holy Ghost; the four symbols of the Evangelists; and St Cecilia with her organ. (The Metropolitan Museum of Art)
The Last Judgment by Joos van Cleve (Netherlandish, Cleve ca. 1485–1540/41 Antwerp). Date: ca. 1520–25 Medium: Oil on wood Dimensions: 48 3/4 x 34 in. (123.8 x 86.4 cm).
Medallion with the Crucifixion, ca. 1100 France (Conques) Gilt copper, cloisonné and champlevé enamel Diam. 4 1/8 in. (10.3 cm) # (2007.189) The Metropolitan Museum of Art
Calvary, late 17th–early 18th century German or Netherland; Ivory, ebony