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Lampara de mesa “Acorn” “Bellota”. La pantalla, de pequeñas teselas trapezoidales en tonos rosados  rojizos, tiene una cenefa de bellotas. La base, sostenida por cuatro patitas sobre un pie cuadrado,  es la urna original que contenia el recipiente de aceite con que funcionaba la lampara. Mide 50,8 cm de alto y 40,64 de diametro de pantalla. Se

Lampara de mesa “Acorn” “Bellota”. La pantalla, de pequeñas teselas trapezoidales en tonos rosados rojizos, tiene una cenefa de bellotas. La base, sostenida por cuatro patitas sobre un pie cuadrado, es la urna original que contenia el recipiente de aceite con que funcionaba la lampara. Mide 50,8 cm de alto y 40,64 de diametro de pantalla. Se

Tiffany stained glass lamp                                                                                                                                                                                 Más

Tiffany stained glass lamp Más

A Positively Beautiful Blog

A Positively Beautiful Blog

TIffany   Stained glass beauty

TIffany Stained glass beauty

Arte exhuberante y mucha plata...

Arte exhuberante y mucha plata...

Arte exhuberante y mucha plata... Hoy les propongo un post poco habitual, al menos para mí… Una mezcla de arte, joyas y mucha plata para unos cuant...

Tiffany Stained Glass Victorian Table Lamp. The first Tiffany lamp was created around 1895. Beautiful in design and intricacy, each lamp was handmade by skilled craftsman, not mass or machine produced. Its designer was not, as had been thought for over 100 years, Louis Comfort Tiffany, but an unrecognized single woman named Clara Driscoll who was identified in 2007 by Rutgers professor Martin Eidelberg as being the master designer behind the most creative and valuable leaded glass lamps.

Tiffany Stained Glass Victorian Table Lamp. The first Tiffany lamp was created around 1895. Beautiful in design and intricacy, each lamp was handmade by skilled craftsman, not mass or machine produced. Its designer was not, as had been thought for over 100 years, Louis Comfort Tiffany, but an unrecognized single woman named Clara Driscoll who was identified in 2007 by Rutgers professor Martin Eidelberg as being the master designer behind the most creative and valuable leaded glass lamps.

louis romero art | 14.6. El modernismo. Gaudí

louis romero art | 14.6. El modernismo. Gaudí

artmastered: Tiffany & Co., designed by Clara Pierce Wolcott Driscoll, Hanging Head Dragonfly Shade on Mosaic and Turtleback Base, c.1906, Favrile glass and bronze, 86.4 x 57.2 cm, The Art Institute of Chicago. Source This beautiful, dragonfly-inspired lamp was included in the winter 2009/10 exhibition ‘Apostles of Beauty: Arts and Crafts from Britain to Chicago’ at the Art Institute of Chicago

artmastered: Tiffany & Co., designed by Clara Pierce Wolcott Driscoll, Hanging Head Dragonfly Shade on Mosaic and Turtleback Base, c.1906, Favrile glass and bronze, 86.4 x 57.2 cm, The Art Institute of Chicago. Source This beautiful, dragonfly-inspired lamp was included in the winter 2009/10 exhibition ‘Apostles of Beauty: Arts and Crafts from Britain to Chicago’ at the Art Institute of Chicago

Las lámparas de Louis Comfort, heredero del imperio Tiffanys

Las lámparas de Louis Comfort, heredero del imperio Tiffanys

TIFFANY STUDIOS VASE engraved 1230 M L.C. Tiffany Favrile

TIFFANY STUDIOS VASE engraved 1230 M L.C. Tiffany Favrile

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