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Wilhelm Deffke, graphic artwork, published in Seidels Reklame, 1923. Published by Wilhelm Seidel: Das Blatt der Praxis für Reklame-Hersteller u. Verbraucher. Berlin

Wilhelm Deffke, graphic artwork, published in Seidels Reklame, 1923. Published by Wilhelm Seidel: Das Blatt der Praxis für Reklame-Hersteller u. Verbraucher. Berlin

prisma

prisma

Wilhelm Deffke, graphic artwork, published in Seidels Reklame, 1923. Published by Wilhelm Seidel: Das Blatt der Praxis für Reklame-Hersteller u. Verbraucher. Berlin

Wilhelm Deffke, graphic artwork, published in Seidels Reklame, 1923. Published by Wilhelm Seidel: Das Blatt der Praxis für Reklame-Hersteller u. Verbraucher. Berlin

Montague Projects Blog: Daily Book Graphics #1127

Montague Projects Blog: Daily Book Graphics #1127

Capa de disco de 1965 O fino do Fino. Autor: Carlos Prósperi. 31 x 31 cm. Linha do tempo do design gráfico no Brasil, p. 338 in Brasil

Capa de disco de 1965 O fino do Fino. Autor: Carlos Prósperi. 31 x 31 cm. Linha do tempo do design gráfico no Brasil, p. 338 in Brasil

Ancient represantation of sun wheel designed by Deffke was stolen by Nazis

Ancient represantation of sun wheel designed by Deffke was stolen by Nazis

:: Rapporto Sulla Provincia di Milano  A. G. Fronzoni ::

:: Rapporto Sulla Provincia di Milano A. G. Fronzoni ::

Hamburg-Amerikanische Packetfahrt-Actien-Gesellschaft.  Literarisches Bureau.   Imperator auf See, 1913. Berlin (Otto Elsner/ W. H. Deffke for Hamburg-Amerika Linie) n.d. (1913) This lavishly produced promotional booklet offers a seductive glimpse into the luxurious world of early twentieth-century transatlantic crossings.  It also stands as a remarkable example of German graphic art, typography, and publication design of the same era. (read more on website)

Hamburg-Amerikanische Packetfahrt-Actien-Gesellschaft. Literarisches Bureau. Imperator auf See, 1913. Berlin (Otto Elsner/ W. H. Deffke for Hamburg-Amerika Linie) n.d. (1913) This lavishly produced promotional booklet offers a seductive glimpse into the luxurious world of early twentieth-century transatlantic crossings. It also stands as a remarkable example of German graphic art, typography, and publication design of the same era. (read more on website)

2017年 年賀状

2017年 年賀状

Dark side of typography: Photo

Dark side of typography: Photo

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