Frankie Vaughan and Marilyn on the set of Let's Make Love, 1960.
You can set up questions and then never supply any concrete resolution, which I think means you’re free to ask really interesting questions. It’s not a frame of a film, there’s no next moment; all you get is that one image. I love that about [painting]. You’re not let down by a shitty ending because everyone makes their own ending, one that resonates for them.