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Queen Mariana, ca. 1653  (Diego Velazquez) (1599-1660)   Museo Nacional del Prado, Madrid

Queen Mariana, ca. 1653 (Diego Velazquez) (1599-1660) Museo Nacional del Prado, Madrid

Espacios nuevos                                                                                                                                                                                 Más

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Communication Studies #communications #masters http://cleveland.remmont.com/communication-studies-communications-masters/  # Communication Studies Location Department of Art History and Communication Studies Arts Building, Room 270-A 853 Sherbrooke Street West Montreal QC H3A 0G5 Canada Telephone: 514-398-4933 Fax: 514-398-8557 Email: graduate [dot] ahcs [at] mcgill [dot] ca Website: www.mcgill.ca/ahcs About Communication Studies McGill is situated in one of the most vibrant cities in North…

Communication Studies #communications #masters http://cleveland.remmont.com/communication-studies-communications-masters/ # Communication Studies Location Department of Art History and Communication Studies Arts Building, Room 270-A 853 Sherbrooke Street West Montreal QC H3A 0G5 Canada Telephone: 514-398-4933 Fax: 514-398-8557 Email: graduate [dot] ahcs [at] mcgill [dot] ca Website: www.mcgill.ca/ahcs About Communication Studies McGill is situated in one of the most vibrant cities in North…

Elizabeth de Bourbon, ca. 1621 (Isabel of France) (Rodrigo de Villandandro) (1588-1623) Museo Nacional del Prado, Madrid P01037

Elizabeth de Bourbon, ca. 1621 (Isabel of France) (Rodrigo de Villandandro) (1588-1623) Museo Nacional del Prado, Madrid P01037

Queen Isabella, ca. 1632 (Diego Velasquez) (1599-1660) Private Collection

Queen Isabella, ca. 1632 (Diego Velasquez) (1599-1660) Private Collection

Velázquez (Diego Rodríguez de Silva y Velázquez) (Spanish, 1599–1660). Portrait of a Man, ca. 1630–35. The Metropolitan Museum of Art, New York. The Jules Bache Collection, 1949 (49.7.42) | This may be, perhaps, the self-portrait listed in an inventory of the artist’s possessions drawn up in July 1661.

Velázquez (Diego Rodríguez de Silva y Velázquez) (Spanish, 1599–1660). Portrait of a Man, ca. 1630–35. The Metropolitan Museum of Art, New York. The Jules Bache Collection, 1949 (49.7.42) | This may be, perhaps, the self-portrait listed in an inventory of the artist’s possessions drawn up in July 1661.

Anthony van Dyck (Flemish, 1599–1641). Self-Portrait, 1620–21. The Metropolitan Museum of Art, New York. The Jules Bache Collection, 1949 (49.7.25)

Anthony van Dyck (Flemish, 1599–1641). Self-Portrait, 1620–21. The Metropolitan Museum of Art, New York. The Jules Bache Collection, 1949 (49.7.25)

Francisco Domingo y Marqués (Spanish, 1842–1920). Portrait of an Old Man, 1882. The Metropolitan Museum of Art, New York. Bequest of Martha T. Fiske Collord, in memory of her first husband, Josiah M. Fiske, 1908 (08.136.14)

Francisco Domingo y Marqués (Spanish, 1842–1920). Portrait of an Old Man, 1882. The Metropolitan Museum of Art, New York. Bequest of Martha T. Fiske Collord, in memory of her first husband, Josiah M. Fiske, 1908 (08.136.14)

Anton Raphael Mengs (German, 1728–1779). Self-Portrait, 1776. The Metropolitan Museum of Art, New York. Harris Brisbane Dick Fund, 2010 (2010.445) | Whereas Mengs's portraits of prominent sitters are notable for their delicacy, meticulous detail, and refined beauty, his self-portraits are essays in truthfulness.

Anton Raphael Mengs (German, 1728–1779). Self-Portrait, 1776. The Metropolitan Museum of Art, New York. Harris Brisbane Dick Fund, 2010 (2010.445) | Whereas Mengs's portraits of prominent sitters are notable for their delicacy, meticulous detail, and refined beauty, his self-portraits are essays in truthfulness.

Édouard Vuillard (French, 1868–1940). Self-Portrait with Waroquy, 1889.  The Metropolitan Museum of Art, New York. Gift of Alex M. Lewyt, 1955 (55.173) | In his sober, high-collared garment, the pensive twenty-three year old Vuillard might be taken for a civil servant or a clergyman. Only the palette and paintbrushes in his right hand identify him as a painter.

Édouard Vuillard (French, 1868–1940). Self-Portrait with Waroquy, 1889. The Metropolitan Museum of Art, New York. Gift of Alex M. Lewyt, 1955 (55.173) | In his sober, high-collared garment, the pensive twenty-three year old Vuillard might be taken for a civil servant or a clergyman. Only the palette and paintbrushes in his right hand identify him as a painter.

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