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La Anunciacion-Belles Heures of Jean de France duc de Berry-Folio 30r- ©The Metropolitan Museum of Art

Design attributed to Pieter Coecke van Aelst (Netherlandish, 1502–1550). The Flaying of Marsyas Tapestry in the set of the Poesia (detail), ca. 1547–48. Woven under the direction of Willem de Pannemaker, Brussels, before 1556. Patrimonio Nacional, Palacio Real de La Granja de San Ildefonso (TA 19/4, 10004158) | This work will be featured in "Grand Design: Pieter Coecke van Aelst and Renaissance Tapestry," on view October 8, 2014–January 11, 2015. #Coecke #tapestrytuesday

Fra Angelico (v. 1400-1455), peintre toscan du début de la Renaissance. Il a été nommé Angelico (« angélique » en français) du nom de l'angélique docteur, saint Dominique, et Beato (« béni » en français) pour la profondeur spirituelle de sa peinture.

Notre Dame de Grasse, a beautiful Gothic statue of the Virgin Mary. 15th century. Musée des Augustins, Toulouse. The Musée des Augustins de Toulouse is a fine arts museum in Toulouse, France which conserves a collection of sculpture and paintings from the Middle Ages to the early twentieth century. The paintings are from throughout France, the sculptures representing Occitan culture of the region with a particularly rich assemblage of Romanesque sculpture.

Purisimo Corazon de Maria / The Immaculate Heart of Mary Attributed to Leoncio Asuncion y Molo (1813 -1888) Luis Fernando Serna covarubias

Book Cover with Byzantine Icon of the Crucifixion, Icon carved about 1000, in Constantinople; setting made before 1085. Spanish; From the Convent of Santa Cruz de la Serós, Jaca

Plaque with the Journey to Emmaus and Noli Me Tangere, ca. 1115–20. Spanish. The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.47) | With swirling drapery, elongated bodies, and powerful, dramatic gestures, the plaque, part of a larger ensemble, perhaps a reliquary, relates to works created in León, a royal city on the pilgrimage road to the shrine of Saint James.

Fra Filippo Lippi (Italian, ca. 1406). Portrait of a Woman with a Man at a Casement, ca. 1440. The Metropolitan Museum of Art, New York. Marquand Collection, Gift of Henry G. Marquand, 1889 (89.15.19)

Manuscript of the Apocalypse, ca. 1300. French. The Metropolitan Museum of Art, New York. The Cloisters Collection, 1968. (68.174) | The Apocalypse, or the Revelation to St. John, is the last of the canonical books of the New Testament. #Cloisters