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Frank Eugene (American 1865-1936). The Man in Armor, 1898. The Metropolitan Museum of Art, New York. Rogers Fund, 1972 (1972.633.138).

Honoré Daumier (French, 1808–1879). The Connoisseur, ca. 1860-65. Pen and ink, wash, watercolor, lithographic crayon, and gouache over black chalk on wove paper. The Metropolitan Museum of Art, New York. H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 (29.100.200) | This work is on view in gallery 690 from June 7, 2016 to June 13, 2016 as part of the Department of Drawings and Prints "Work of the Week." #MetonPaper100

Goya (Francisco de Goya y Lucientes) (Spanish, 1746–1828). The Giant, by 1818. The Metropolitan Museum of Art, New York. Harris Brisbane Dick Fund, 1935 (35.42) | This rare print of a mysterious gargantuan creature sitting on the edge of the earth is one of Goya's most disturbing and haunting images. #OneMetManyWorlds

Etched by Stefano della Bella (Italian, 1610–1664). Death Carrying Off a Woman, ca. 1648. The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 (59.570.379(4)).

Luigi Schiavonetti (Italian, 1765–1810) After William Blake (British, 1757–1827). The Skeleton Re-Animated, Title Page to the Grave, a Poem by Robert Blair, 1813. The Metropolitan Museum of Art, New York. Harris Brisbane Dick Fund, 1917 (17.3.2887).

frrmsd: Illustrator: Willian Santiago “Kalemba” (An Artist With No Artform)

frrmsd: Illustrator: Willian Santiago “Kalemba”

Heinrich Aldegrever (German, ca. 1502–1555/1561) after Hans Holbein the Younger (German, 1497/98–1543). Death and the Bishop, from The Power of Death (Allegory of Original Sin and Death). The Metropolitan Museum of Art, New York. Gift of Harry G. Friedman, 1962 (62.635.506a).

Wenceslaus Hollar (Bohemian, 1607–1677) After Hans Holbein the Younger (German, 1497/98–1543). Old woman, from the Dance of Death, 1651. The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951 (51.501.2139).

Ritratto di Giovan Battista Piranesi