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Keith Jennings, sculptor ::: One of many 'tree spirits' carved in the old oak trees of St. Simons Island, Gerogia. These sorrowful faces are the creation of Keith Jennings, who was commissioned to immortalize the numerous sailors who lost their lives at sea aboard the mighty sailing ships that were made from St. Simons oak.

Keith Jennings, sculptor ::: One of many 'tree spirits' carved in the old oak trees of St. Simons Island, Gerogia. These sorrowful faces are the creation of Keith Jennings, who was commissioned to immortalize the numerous sailors who lost their lives at sea aboard the mighty sailing ships that were made from St. Simons oak.

✯ Carved Tree Root Face  ~ A face carved from the wood of an upended tree root ball on the side of Yucca Mesa Road north of Yucca Valley, California ✯

✯ Carved Tree Root Face ~ A face carved from the wood of an upended tree root ball on the side of Yucca Mesa Road north of Yucca Valley, California ✯

Trees, trees, oh, and more trees

Trees, trees, oh, and more trees

“What I am seeking is not the real and not the unreal but rather the unconscious, the mystery of the instinctive in the human race.” - Amedeo Modigliani

“What I am seeking is not the real and not the unreal but rather the unconscious, the mystery of the instinctive in the human race.” - Amedeo Modigliani

Eric Schaal, Salvador Dalí painting The Face of War, 1941

Eric Schaal, Salvador Dalí painting The Face of War, 1941

500 Years of Female Portraits in Western Art - YouTube

500 Years of Female Portraits in Western Art - YouTube

The Watcher in the Woods...

The Watcher in the Woods...

Bamboo at Kek Lok Si temple in Penag--Bertrand Linet

Bamboo at Kek Lok Si temple in Penag--Bertrand Linet

René Gruau in 1986

René Gruau in 1986

Prevalent in the major works of Leonardo Da Vinci and underlying many of his design compositions, is the phi relationship (also known as the Golden Ratio or the Golden Mean), a ratio of approximately 1:1.618, found in nature and creation, and inherent in the Fibonacci sequence. The Golden Rectangle, the Golden Triangle, and the Golden Pyramid, all based on the Golden Ratio are all appear prominent in the work of Leonardo Da Vinci. He referred to the Golden Ratio as the "divine proportion".

Prevalent in the major works of Leonardo Da Vinci and underlying many of his design compositions, is the phi relationship (also known as the Golden Ratio or the Golden Mean), a ratio of approximately 1:1.618, found in nature and creation, and inherent in the Fibonacci sequence. The Golden Rectangle, the Golden Triangle, and the Golden Pyramid, all based on the Golden Ratio are all appear prominent in the work of Leonardo Da Vinci. He referred to the Golden Ratio as the "divine proportion".

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