Explora En Proceso, Pendulum Painting Bowls, ¡y mucho más!

en proceso

en proceso

Bárcenas y corrupción: humor en redes sociales

Bárcenas y corrupción: humor en redes sociales

DIY sand pendulum.... I'd like a zebra print bowl with red sand. :D  Another project for my poor husband!!

DIY sand pendulum.... I'd like a zebra print bowl with red sand. :D Another project for my poor husband!!

Nam June Paik, Performing La Monte Young’s “Composition 1960 No. 10” to Bob Morris (Zen for Head), (1962) Presented during the Fluxus International Festival of New Music, this performance was Paik’s interpretation of La Monte Young’s Composition 1960 No.10 dedicated to artist Robert Morris who was quoted saying, “Draw a Straight Line and Follow it”. Paik’s performance consisted of him dipping his head, hands and tie in a bowl of ink and tomato juice and drawing a line by dragging his head…

Nam June Paik, Performing La Monte Young’s “Composition 1960 No. 10” to Bob Morris (Zen for Head), (1962) Presented during the Fluxus International Festival of New Music, this performance was Paik’s interpretation of La Monte Young’s Composition 1960 No.10 dedicated to artist Robert Morris who was quoted saying, “Draw a Straight Line and Follow it”. Paik’s performance consisted of him dipping his head, hands and tie in a bowl of ink and tomato juice and drawing a line by dragging his head…

Sarah Purvey:Landscape Series    The energy of landscape informs my ceramic, its influence and rhythm echoed in the marks drawn, painted and scribed directly into each form.    I hand build using coils of stoneware clays; the physical process energised, reactive and intuitive. The surfaces of the large forms are created when the clay is still raw, vulnerable and at its most responsive.    Although inspired by nature, the ceramic in this body of work is not intended to imitate or recreate a…

Sarah Purvey:Landscape Series The energy of landscape informs my ceramic, its influence and rhythm echoed in the marks drawn, painted and scribed directly into each form. I hand build using coils of stoneware clays; the physical process energised, reactive and intuitive. The surfaces of the large forms are created when the clay is still raw, vulnerable and at its most responsive. Although inspired by nature, the ceramic in this body of work is not intended to imitate or recreate a…

We Talked With Dextro, One Of The Most Elusive Algorithmic Artists | The Creators Project

We Talked With Dextro, One Of The Most Elusive Algorithmic Artists | The Creators Project

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