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#ART | On Kawara | "Smallpox" 1952

#ART | On Kawara | "Smallpox" 1952

#ART | On Kawara | artist tools.

#ART | On Kawara | artist tools.

#ART | On Kawara | "Pure Conciousness" at 19 Kindergartens (1999) | from Kawara: 'We are the same, but different.' 'Things are the same, but different.' 'The days are the same, but different.'

#ART | On Kawara | "Pure Conciousness" at 19 Kindergartens (1999) | from Kawara: 'We are the same, but different.' 'Things are the same, but different.' 'The days are the same, but different.'

#ART | On Kawara | "I Got Up" (1968-69)

#ART | On Kawara | "I Got Up" (1968-69)

#ART | On Kawara | "Pure Consciousness" 1999

#ART | On Kawara | "Pure Consciousness" 1999

#ART | On Kawara | "I Met" | "I Met by On Kawara was originally conceived as a work of art that started on the 10th of May 1968 and ended on the 17th of September 1979. Each day, On Kawara noted in chronologic order the names of people with whom he had a conversation. This very list, as well as a specific mark for each separate day, is displayed on each page

#ART | On Kawara | "I Met" | "I Met by On Kawara was originally conceived as a work of art that started on the 10th of May 1968 and ended on the 17th of September 1979. Each day, On Kawara noted in chronologic order the names of people with whom he had a conversation. This very list, as well as a specific mark for each separate day, is displayed on each page

#ART | On Kawara | "I Got Up" (1976) to Albin Uldry

#ART | On Kawara | "I Got Up" (1976) to Albin Uldry

#ART | On Kawara | As a young man in the 1950s, Kawara enrolled as a student at the Academia de San Carlos, an academic art institute housed in a colonial palace and decorated with endless casts of Greek sculptures.

#ART | On Kawara | As a young man in the 1950s, Kawara enrolled as a student at the Academia de San Carlos, an academic art institute housed in a colonial palace and decorated with endless casts of Greek sculptures.

#ART | On Kawara | "I Got Up" (1969) to Lucy Lippard.

#ART | On Kawara | "I Got Up" (1969) to Lucy Lippard.

#ART | On Kawara |  "The flow of the brushstroke shows that the artist has painted all the figures freehand, occasionally correcting uneven outlines with the dark color of the background. To me, Kawara is a master of calligraphy, a man of belief and, of course, one of the great artists of our time" -Christian Scheidemann

#ART | On Kawara | "The flow of the brushstroke shows that the artist has painted all the figures freehand, occasionally correcting uneven outlines with the dark color of the background. To me, Kawara is a master of calligraphy, a man of belief and, of course, one of the great artists of our time" -Christian Scheidemann

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