Explora 1 2, Suite Mexicana, ¡y mucho más!

Qué tiene de mexicana la “Suite Mexicana” de Iconoclasta (1/2)* –…

Qué tiene de mexicana la “Suite Mexicana” de Iconoclasta (1/2)* –…

Keith Haring fue un artista y activista social cuyo trabajo refleja el espíritu de la generación pop y la cultura callejera de la Nueva York de los años 1980.

Keith Haring fue un artista y activista social cuyo trabajo refleja el espíritu de la generación pop y la cultura callejera de la Nueva York de los años 1980.

Carlos Colin - Mascara 010. Photograph pigment on cotton paper 47" x 31 1/2" ed/5 La Sublevación de la Máscara. El Motín Iconoclasta (The uprising of the mask. The iconoclastic riot) - This series of photographs responds to the resistance of the people in Latin America to maintain and preserve social traditions, local cultures, and, at the same time, the uprisings to sustain Latin American cultures and keep Indigenous Latin American roots alive

Carlos Colin - Mascara 010. Photograph pigment on cotton paper 47" x 31 1/2" ed/5 La Sublevación de la Máscara. El Motín Iconoclasta (The uprising of the mask. The iconoclastic riot) - This series of photographs responds to the resistance of the people in Latin America to maintain and preserve social traditions, local cultures, and, at the same time, the uprisings to sustain Latin American cultures and keep Indigenous Latin American roots alive

Carlos Colin - Mascara 001. Photograph pigment on cotton paper 47" x 31 1/2" ed/5 La Sublevación de la Máscara. El Motín Iconoclasta (The uprising of the mask. The iconoclastic riot) - This series of photographs responds to the resistance of the people in Latin America to maintain and preserve social traditions, local cultures, and, at the same time, the uprisings to sustain Latin American cultures and keep Indigenous Latin American roots alive

Carlos Colin - Mascara 001. Photograph pigment on cotton paper 47" x 31 1/2" ed/5 La Sublevación de la Máscara. El Motín Iconoclasta (The uprising of the mask. The iconoclastic riot) - This series of photographs responds to the resistance of the people in Latin America to maintain and preserve social traditions, local cultures, and, at the same time, the uprisings to sustain Latin American cultures and keep Indigenous Latin American roots alive

Carlos Colin - Mascara 017. Photograph pigment on cotton paper 47" x 31 1/2" ed/5 La Sublevación de la Máscara. El Motín Iconoclasta (The uprising of the mask. The iconoclastic riot) - This series of photographs responds to the resistance of the people in Latin America to maintain and preserve social traditions, local cultures, and, at the same time, the uprisings to sustain Latin American cultures and keep Indigenous Latin American roots alive

Carlos Colin - Mascara 017. Photograph pigment on cotton paper 47" x 31 1/2" ed/5 La Sublevación de la Máscara. El Motín Iconoclasta (The uprising of the mask. The iconoclastic riot) - This series of photographs responds to the resistance of the people in Latin America to maintain and preserve social traditions, local cultures, and, at the same time, the uprisings to sustain Latin American cultures and keep Indigenous Latin American roots alive

Carlos Colin - Mascara 024. Photograph pigment on cotton paper 47" x 31 1/2" ed/5 La Sublevación de la Máscara. El Motín Iconoclasta (The uprising of the mask. The iconoclastic riot) - This series of photographs responds to the resistance of the people in Latin America to maintain and preserve social traditions, local cultures, and, at the same time, the uprisings to sustain Latin American cultures and keep Indigenous Latin American roots alive

Carlos Colin - Mascara 024. Photograph pigment on cotton paper 47" x 31 1/2" ed/5 La Sublevación de la Máscara. El Motín Iconoclasta (The uprising of the mask. The iconoclastic riot) - This series of photographs responds to the resistance of the people in Latin America to maintain and preserve social traditions, local cultures, and, at the same time, the uprisings to sustain Latin American cultures and keep Indigenous Latin American roots alive

Carlos Colin - Mascara 004. Photograph pigment on cotton paper 47" x 31 1/2" ed/5 La Sublevación de la Máscara. El Motín Iconoclasta (The uprising of the mask. The iconoclastic riot) - This series of photographs responds to the resistance of the people in Latin America to maintain and preserve social traditions, local cultures, and, at the same time, the uprisings to sustain Latin American cultures and keep Indigenous Latin American roots alive

Carlos Colin - Mascara 004. Photograph pigment on cotton paper 47" x 31 1/2" ed/5 La Sublevación de la Máscara. El Motín Iconoclasta (The uprising of the mask. The iconoclastic riot) - This series of photographs responds to the resistance of the people in Latin America to maintain and preserve social traditions, local cultures, and, at the same time, the uprisings to sustain Latin American cultures and keep Indigenous Latin American roots alive

Carlos Colin - Mascara 018. Photograph pigment on cotton paper 47" x 31 1/2" ed/5 La Sublevación de la Máscara. El Motín Iconoclasta (The uprising of the mask. The iconoclastic riot) - This series of photographs responds to the resistance of the people in Latin America to maintain and preserve social traditions, local cultures, and, at the same time, the uprisings to sustain Latin American cultures and keep Indigenous Latin American roots alive

Carlos Colin - Mascara 018. Photograph pigment on cotton paper 47" x 31 1/2" ed/5 La Sublevación de la Máscara. El Motín Iconoclasta (The uprising of the mask. The iconoclastic riot) - This series of photographs responds to the resistance of the people in Latin America to maintain and preserve social traditions, local cultures, and, at the same time, the uprisings to sustain Latin American cultures and keep Indigenous Latin American roots alive

Carlos Colin - Mascara 021. Photograph pigment on cotton paper 47" x 31 1/2" ed/5 La Sublevación de la Máscara. El Motín Iconoclasta (The uprising of the mask. The iconoclastic riot) - This series of photographs responds to the resistance of the people in Latin America to maintain and preserve social traditions, local cultures, and, at the same time, the uprisings to sustain Latin American cultures and keep Indigenous Latin American roots alive

Carlos Colin - Mascara 021. Photograph pigment on cotton paper 47" x 31 1/2" ed/5 La Sublevación de la Máscara. El Motín Iconoclasta (The uprising of the mask. The iconoclastic riot) - This series of photographs responds to the resistance of the people in Latin America to maintain and preserve social traditions, local cultures, and, at the same time, the uprisings to sustain Latin American cultures and keep Indigenous Latin American roots alive

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