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Este es un elegante ejemplo de 1835 una acción, la corbata estándar para los hombres en el siglo 19, para ser usados ​​sobre el cuello alto stand de la camisa. Los estilos de la década de 1830 fueron prescritos por dandis de moda y artistas y de escritores influenciados en el ingenio y el vestido. La acción nítido y completo con un arco a medida era esencial en el vestido formal de moda.

Men’s work pants, denim and brushed cotton, circa 1840, USA, museum purchase, P86.64.3


Yellow silk and embroidered waistcoat 1730-1739. Satin dyed, a brilliant sunshine hue forms the body of this court waistcoat of the 1730s. Such a rich yellow was fashionable in men’s and women’s dress from the 1730s until the 1780s. The scale of the embroidery pattern and its range of textures are characteristic of Baroque design in general and 1730s embroidery in particular. Simply gorgeous!


Shirt Place of origin: England, Great Britain (made) Date: 1830 (made) Artist/Maker: unknown (production) Materials and Techniques: Line...

Frock coat

Frock coat Place of origin: Great Britain, United Kingdom (probably, made) Date: 1830s (made) Materials and Techniques: Woollen beaver cloth trimmed with silk velvet Museum number: T.748-1913 | V&A

Boy's red silk skeleton suit with lace collar and cuffs, American, ca. 1790-1810.

Throughout the 19th century, men wore top hats for business, pleasure and formal occasions (pearl gray for daytime, black for day or night) making its wearer feel taller, handsomer and suave. By 1900 top hats were made with silk and worn only for special occasions, such as weddings and dances. Felted beaver skin was the preferred material for top hats due to its water proof properties. The high demand for beaver fashion (to inlcude men’s coats) practically wiped out the beaver in the US by…

shaped band fastened at the back of the neck with ties, a large metal buckle.velvet and satin - tied into a small gordian knot with short broad ends. worn over the high stand collar of the shirt