Colección IMAGINARIOS URBANOS

Trois mots pour trois visites de cette forte exposition. Des passages, des tours et desr etours, Il en faut plusiers pour saisir les lectures de cette peinture de maturité, complexe et accomplie. Elle nous surprend par la vigueur vivace de sa palette. Elle nous prend dans son inspirtation onirique. Elle nous apprend, au détour d'un fascinant face à face, les clés scellées de l'existence. Trois passages au moins pour passer à l'acte, oui, lier le lien et succomber à la tentation. M. BALU
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Green, white and purple sashes, powerful placards and large-scale marches – these are the hallmarks of feminist protest from days gone by. But while the suffragettes, and other activists, might have firmly etched such images on the public consciousness, a new wave of protesters are taking up the fight in inventive and surprising ways. Marches are still important – and effective – of course, but with protests that don’t always involve rallies or banners, women around the world are also…

Green, white and purple sashes, powerful placards and large-scale marches – these are the hallmarks of feminist protest from days gone by. But while the suffragettes, and other activists, might have firmly etched such images on the public consciousness, a new wave of protesters are taking up the fight in inventive and surprising ways. Marches are still important – and effective – of course, but with protests that don’t always involve rallies or banners, women around the world are also…

Patricia Tobaldo  EL PARQUE DE ATRACCIONES - Diptico  oleo sobre Lienzo, 200 x 100 - Año 2003  Obra expuesta en España (Galería Martinez Glera - Logroño, La Rioja) y en Francia (Office de Tourisme de Tarbes, Tarbes)

Patricia Tobaldo EL PARQUE DE ATRACCIONES - Diptico oleo sobre Lienzo, 200 x 100 - Año 2003 Obra expuesta en España (Galería Martinez Glera - Logroño, La Rioja) y en Francia (Office de Tourisme de Tarbes, Tarbes)

Patricia Tobaldo  MODELO DE ESTUDIO  oleo sobre Lienzo, 0.50 x 0.70 -Año 2003  Obra expuesta en España (Galería Martinez - Glera, Logroño - La Rioja) y en Francia (Office de Tourisme de Tarbes, Tarbes)

Patricia Tobaldo MODELO DE ESTUDIO oleo sobre Lienzo, 0.50 x 0.70 -Año 2003 Obra expuesta en España (Galería Martinez - Glera, Logroño - La Rioja) y en Francia (Office de Tourisme de Tarbes, Tarbes)

 SELFIES & NARCISSISM"One day whilst out enjoying the sunshine Narcissus came upon a pool of water. As he gazed into it he caught a glimpse of what he thought was a beautiful water spirit. He did not recognise his own reflection and was immediately enamoured. Narcissus bent down his head to kiss the vision. As he did so the reflection mimicked his actions. Taking this as a sign of reciprocation Narcissus reached into the pool to draw the water spirit to him. The water displaced and t...

THE ME...ME...ME GENERATION

SELFIES & NARCISSISM"One day whilst out enjoying the sunshine Narcissus came upon a pool of water. As he gazed into it he caught a glimpse of what he thought was a beautiful water spirit. He did not recognise his own reflection and was immediately enamoured. Narcissus bent down his head to kiss the vision. As he did so the reflection mimicked his actions. Taking this as a sign of reciprocation Narcissus reached into the pool to draw the water spirit to him. The water displaced and t...

Six Defining Characteristics of Generation ZSo…are you ready for these kids?Cynical.While the students I met were fairly happy and well-adjusted, they are not giddy like so many Generation Y kids were in the 90s. They tend to be more realistic not idealistic, seemingly jaded from the tough economy, terrorism and complexities of life.Private.Perhaps its because they watched their older siblings get in trouble from posting controversial content on social media, but younger teens don’t want to…

Six Defining Characteristics of Generation ZSo…are you ready for these kids?Cynical.While the students I met were fairly happy and well-adjusted, they are not giddy like so many Generation Y kids were in the 90s. They tend to be more realistic not idealistic, seemingly jaded from the tough economy, terrorism and complexities of life.Private.Perhaps its because they watched their older siblings get in trouble from posting controversial content on social media, but younger teens don’t want to…

...I'm an ordinary man, nothing special nothing grandI've had to work for everything I ownI never asked for a lot, I was happy with what I gotEnough to keep my family and my homeAnd so condemned I stand just an ordinary manLike thousands beside me in the queueI watch my darling wife trying to make the best of lifeAnd God knows what the kids are going to doNow that we are faced with this human wasteA generation cast asideAnd as long as I live, I never will forgiveYou've stripped me of my…

LITTLE MEN...

...I'm an ordinary man, nothing special nothing grandI've had to work for everything I ownI never asked for a lot, I was happy with what I gotEnough to keep my family and my homeAnd so condemned I stand just an ordinary manLike thousands beside me in the queueI watch my darling wife trying to make the best of lifeAnd God knows what the kids are going to doNow that we are faced with this human wasteA generation cast asideAnd as long as I live, I never will forgiveYou've stripped me of my…

The ego defence of displacement plays a role in scapegoating, in which uncomfortable feelings such as anger and guilt are displaced and projected onto another, often more vulnerable, person or group. The scapegoated person is then persecuted, providing the person doing the scapegoating not only with a conduit for his uncomfortable feelings, but also with pleasurable feelings of piety and self-righteous indignation. The creation of a villain necessarily implies that of a hero, even if both…

The ego defence of displacement plays a role in scapegoating, in which uncomfortable feelings such as anger and guilt are displaced and projected onto another, often more vulnerable, person or group. The scapegoated person is then persecuted, providing the person doing the scapegoating not only with a conduit for his uncomfortable feelings, but also with pleasurable feelings of piety and self-righteous indignation. The creation of a villain necessarily implies that of a hero, even if both…

"...An Englishman has no business being an elephant, she said; he should be a sheep or a goat. A childhood memory surfaced: Thwaites recalled that once, when he was small, he had tried to eat a houseplant using only his mouth. A goat is so much more my level, he thought. The shaman educated Thwaites on the histories of animism and totemism. She pointed out that, for much of human history, people have made art and enacted rituals designed to cross the human-animal barrier. In the Chauvet…

METAMORPHOSIS: From Human to Animal

"...An Englishman has no business being an elephant, she said; he should be a sheep or a goat. A childhood memory surfaced: Thwaites recalled that once, when he was small, he had tried to eat a houseplant using only his mouth. A goat is so much more my level, he thought. The shaman educated Thwaites on the histories of animism and totemism. She pointed out that, for much of human history, people have made art and enacted rituals designed to cross the human-animal barrier. In the Chauvet…

Never before humanity in its cultural, political, religious and environmental diversity has have before it such an invisible enemy so powerful that runs through their innermost depths generating large uncertainties and concerns as well as producing wars, violence, isolation , self-elimination, hatred and social disintegration; and anomie of size and depth that threaten the very coexistence between human beings on the planet. FEAR, in its objective manifestations and from the point of view of…

XXI CENTURY: The Society of Fear

Never before humanity in its cultural, political, religious and environmental diversity has have before it such an invisible enemy so powerful that runs through their innermost depths generating large uncertainties and concerns as well as producing wars, violence, isolation , self-elimination, hatred and social disintegration; and anomie of size and depth that threaten the very coexistence between human beings on the planet. FEAR, in its objective manifestations and from the point of view of…

The tattoo is no longer quite the symbol of rebellion and subculture it once was. A number of mainstream galleries have forth to support traditional and designer “Body Art”, as tattooing has come to be lovingly referred to. Enthusiasts, with passion for tattoos cherish it as artwork and consider tattooists as artists who work on the body, as on canvas.The New York Times art critic Michael Kimmelman argued in 1995 that tattoos were most interesting to the art world because of their “outsider…

TATTOOS: BODY ART?

The tattoo is no longer quite the symbol of rebellion and subculture it once was. A number of mainstream galleries have forth to support traditional and designer “Body Art”, as tattooing has come to be lovingly referred to. Enthusiasts, with passion for tattoos cherish it as artwork and consider tattooists as artists who work on the body, as on canvas.The New York Times art critic Michael Kimmelman argued in 1995 that tattoos were most interesting to the art world because of their “outsider…

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