Kurt schwitters

Kurt Schwitters | Ohne Titel (dol 333) | The Metropolitan Museum of Art

Dadaism or Dada was a form of artistic anarchy that challenged the social, political and cultural values of the time.

Blank walls suck, so bring some life to your dorm, bedroom, office, studio, wherever Printed on 185gsm semi gloss poster paper Custom cut - refer to size chart for finished measurements Includes a 3/16 inch (5mm) white border to assist in framing Since every item is made just for you by your local third-party fulfiller, there may be slight variances in the product received

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Häuser und Bäume in Sellin

Kurt Schwitters

In the early 1920s Kurt Schwitters, one of the leading Dada artists, became interested in the new Constructivist, abstract idioms...

David Ebony interviews Graham Bader about his new book on twentieth-century German artist Kurt Schwitters.

Artist: Kurt Schwitters (1887 – 1948) Nationality: German Movement: Dadaism Media: Painting After studying at the Dresden Academy, Kurt Schwitters worked as a designer, architect, typographer…

In two current Bay Area museum exhibitions, we can glimpse an essential divergence in...

Kurt Schwitters, Construction of Noble Ladies

An exhibition at Princeton University explores the multidisciplinary work of Kurt Schwitters.

Merzbau by Kurt Schwitters

View Merz 458 Wriedt (1922) By Schwitters Kurt; Collage on paper mounted on card; 27.3 x 21 cm; Signed; . Access more artwork lots and estimated & realized auction prices on MutualArt.

"Schwitters' built his constructions into his residences incorporating rooms he lived in into the structure. The ceilings and walls were covered with three dimensional shapes and countless nooks and grottos were filed with a variety of objects -- "spoils and relics" (personal items Schwitters stole from friends and acquaintances). These nooks and grottos were sometimes obliterated by future additions, leaving them existing only in the memories of the earlier versions of the work. Schwitters…

Artwork by Kurt Schwitters, OHNE TITEL, HELL- UND DUNKELBRAUN (UNTITLED, LIGHT- AND DARK BROWN), Made of collage and gouache on paper

A Highly Subjective Look At Text in Art

Kurt Schwitters — The Critic (rubber stamp drawing) – 1921

I’m working on my pieces for the 19th International Collage Exchange. Of course I have waited until nearly the last minute, (they are due in New Zealand by August 20), so I have strong incen…