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Orgullo-y-prejuicio de Jane Austen. Edición conmemorativa del bicentenario.

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Adrian Teal on

Foto de siglo XIX de barco sobre Támesis

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Victorian Plum Coloured Striped Beaded Velvet and Silk Faille Reception Gown / Dress dated to 1886/1887 Ebay:Madaboutfans

Victorian Plum Coloured Striped Beaded Velvet and Silk Faille Reception Gown / Dress dated to 1886/1887 Ebay:Madaboutfans

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Paris street style 1906: Linley Sambourne goes abroad

Paris street style, 1906 (Edward Linley Sambourne)

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Tea Gown Liberty & Co., 1885. The Artistic dress had its roots in mid-Victorian England, where Pre-Raphaelite artists, with their love of things medieval, and disdain of industrialized society, revived a version of the loose fitting, relatively plain gowns of that time. Its successor, Aesthetic dress, drew from the same design, but not philosophical.

Tea Gown Liberty & Co., 1885. The Artistic dress had its roots in mid-Victorian England, where Pre-Raphaelite artists, with their love of things medieval, and disdain of industrialized society, revived a version of the loose fitting, relatively plain gowns of that time. Its successor, Aesthetic dress, drew from the same design, but not philosophical.

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Woman's aesthetic or reform dress and bodice in wool with a ribbed weave, Great Britain, 1892-1895. The dress is a pinafore style, worn over a matching chocolate-brown silk satin bodice with a high braided gilt collar. Photos © Victoria and Albert Museum, London. Mrs Herbert Roberts, Lady Clwyd, is seen wearing the dress, which was probably from her trousseau, in George Clausen's 1894 portrait, now located at Walker Art Gallery, National Museums Liverpool (photo via BBC Your Paintings).

Woman's aesthetic or reform dress and bodice in wool with a ribbed weave, Great Britain, 1892-1895. The dress is a pinafore style, worn over a matching chocolate-brown silk satin bodice with a high braided gilt collar. Photos © Victoria and Albert Museum, London. Mrs Herbert Roberts, Lady Clwyd, is seen wearing the dress, which was probably from her trousseau, in George Clausen's 1894 portrait, now located at Walker Art Gallery, National Museums Liverpool (photo via BBC Your Paintings).

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Все оттенки красного в моде XIX века

Красный цвет, пожалуй, самый многозначный. Он символизирует любовь, страсть, грех, огонь, революцию. Это цвет крови и самой жизни. Одежду красного цвета носили куртизанки и монархи. Его ассоциировали и с солнцем, и с дьяволом. Его презирали, им восхищались. В 18 веке он считался вульгарным и безвкусным. Приличным дамам не рекомендовалось носить однотонные красные платья.…

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London

Hombres sándwich en Londres, en el siglo XIX, ilustración de George Scharf

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This pelisse was made for a trousseau in 1823. Kudos to whoever it was who combined the photos of this beauty into one pin.

This pelisse was made for a trousseau in 1823. Kudos to whoever it was who combined the photos of this beauty into one pin.

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