journal — Mirador

journal — Mirador

Painter Helen Frankenthaler sitting amidst her art. Taken: 1956 Photographer: Gordon Parks for LIFE magazine.

Painter Helen Frankenthaler sitting amidst her art. Taken: 1956 Photographer: Gordon Parks for LIFE magazine.

Santorini, 1966. Helen Frankenthaler.                                                                                                                                                                                 Plus

Santorini, 1966. Helen Frankenthaler. Plus

The Human Edge 1967 Helen Frankenthaler

Everson Museum of Art collection has painting by late abstract expressionist Helen Frankenthaler

The Human Edge 1967 Helen Frankenthaler

Helen Frankenthaler: Blue Atmosphere, 1963. Love the colors "bleeding" into one another.

Helen Frankenthaler: Blue Atmosphere, 1963. Love the colors "bleeding" into one another.

Helen Frankenthaler photographed by Ernst Haas

Helen Frankenthaler

Helen Frankenthaler photographed by Ernst Haas

Helen Frankenthaler. "You have to know how to use the accident, how to recognise it, how to control it, and ways to eliminate it so that the whole surface looks felt and born all at once."

Helen Frankenthaler obituary

Helen Frankenthaler. "You have to know how to use the accident, how to recognise it, how to control it, and ways to eliminate it so that the whole surface looks felt and born all at once."

Helen Frakenthaler (USA 1928–2011)Sea Picture with Black (1959)oil on canvas 84.5 x 57 in. Wadsworth Atheneum Museum of Art, USA

Helen Frakenthaler (USA 1928–2011)Sea Picture with Black (1959)oil on canvas 84.5 x 57 in. Wadsworth Atheneum Museum of Art, USA

Helen Frankenthaler, Cloud Burst, 2002, Acrylic on canvas 79 1/4 x 68 1/4 inches  (201.3 x 173.4 cm)

Helen Frankenthaler, Cloud Burst, 2002, Acrylic on canvas 79 1/4 x 68 1/4 inches (201.3 x 173.4 cm)

Como quedaría como mural de pared?  "Helen Frankenthaler with Alexander Liberman, in her studio, New York City, 1967.”

Como quedaría como mural de pared? "Helen Frankenthaler with Alexander Liberman, in her studio, New York City, 1967.”

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