Brancusi. Ro: "Sunt imbecili cei care spun despre lucrările mele că ar fi abstracte; ceea ce ei numesc abstract este cel mai pur realism, deoarece realitatea nu este reprezentată de forma exterioară, ci de ideea din spatele ei, de esenţa lucrurilor(Brâncuşi). En: "They are imbeciles who call my work abstract. That which they call abstract is the most realistic, because what is real is not the exterior but the idea, the essence of things." (Constantin Brancusi)

Brancusi. Ro: "Sunt imbecili cei care spun despre lucrările mele că ar fi abstracte; ceea ce ei numesc abstract este cel mai pur realism, deoarece realitatea nu este reprezentată de forma exterioară, ci de ideea din spatele ei, de esenţa lucrurilor(Brâncuşi). En: "They are imbeciles who call my work abstract. That which they call abstract is the most realistic, because what is real is not the exterior but the idea, the essence of things." (Constantin Brancusi)

Brancusi, Constantin (1876-1957) - 1916 The Kiss

Brancusi, Constantin (1876-1957) - 1916 The Kiss

arte libre hoy: Constantin Brancusi

arte libre hoy: Constantin Brancusi

Brancusi (Romanian sculptor): Bird in Space (1928 version; bronze, limestone and wood). Museum of Modern Art, New York. See also: http://www.pinterest.com/pin/533958099544532902/

Brancusi (Romanian sculptor): Bird in Space (1928 version; bronze, limestone and wood). Museum of Modern Art, New York. See also: http://www.pinterest.com/pin/533958099544532902/

i colori sono arte suprema http://www.artecreo.it/74-maimeri-polycolor

i colori sono arte suprema http://www.artecreo.it/74-maimeri-polycolor

Young Bird  Constantin Brancusi (French, born Romania. 1876–1957). The world's most perfect object: the materials, the proportions, the lines, the angles. It sings.

Young Bird Constantin Brancusi (French, born Romania. 1876–1957). The world's most perfect object: the materials, the proportions, the lines, the angles. It sings.

Constantin Brancusi, The Birdie II, 1928, Marble, National Museum of Modern Art - Georges Pompidou Center, Paris

Constantin Brancusi, The Birdie II, 1928, Marble, National Museum of Modern Art - Georges Pompidou Center, Paris

Constantin Brancusi, La Muse Endormie, 1923-2010, polished bronze, edition of 8.

Constantin Brancusi, La Muse Endormie, 1923-2010, polished bronze, edition of 8.

The zig zag form from Brancusi’s endless column inspired my Cubist chest as well as many of my other pieces.

The zig zag form from Brancusi’s endless column inspired my Cubist chest as well as many of my other pieces.

Collection Online | Constantin Brancusi. Muse (La Muse). 1912 - Guggenheim Museum

Collection Online | Constantin Brancusi. Muse (La Muse). 1912 - Guggenheim Museum

Pinterest
Buscar