Interior Campin, Robert. Santa Bárbara. 1438. Museo del Prado, Madrid

Interior Campin, Robert. Santa Bárbara. 1438. Museo del Prado, Madrid

Esta semana, en una entrevista Didi Huberman decía que uno no sabe lo que es el arte hasta que lo tiene enfrente. En mi caso particular, el arte es algo así como el dedo de Dios o, mejor dicho, e…

Hans Holbein El Joven,Playa De Coruña,Ilustraciones De Arte,Renacimiento,Hombres,Men

Manuel de la Fuente Merás, El Erasmismo en la España Imperial. Una aproximación a su verdadero significado, publicado en El Catoblepas, revista crítica del presente

Barroco,Pintura,Renacimiento Traje,Arte Renacentista,Hans Holbein El Joven,Arte Cristiano,Madonna,Sagrada Familia,Bendita Madre


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Jan van Eyck, Annunciation, 1434–1436. National Gallery of Art, Washington DC

Jan van Eyck, Annunciation, 1434–1436. National Gallery of Art, Washington DC

The Rolin Madonna (La Vierge au Chancelier Rolin) - Jan van Eyck

The Rolin Madonna (La Vierge au Chancelier Rolin) - Jan van Eyck

Google Image Result for http://classroomwowalls.pbworks.com/f/1298753291/smoke-and-mirrors-full.jpg

Google Image Result for http://classroomwowalls.pbworks.com/f/1298753291/smoke-and-mirrors-full.jpg

JAN VAN EYCK (1395-1441) - The Ghent Altarpiece - Adoration of the Lamb, detail - 1432. Sint-Baafskathedraal (Cathedral of St Bavo), Gent, Belgium.

JAN VAN EYCK (1395-1441) - The Ghent Altarpiece - Adoration of the Lamb, detail - 1432. Sint-Baafskathedraal (Cathedral of St Bavo), Gent, Belgium.

The Virgin Mary Saint Bavo Cathedral, Ghent, Belgium.  The work was begun by Hubert van Eyck and upon his death in 1426 it was completed by his brother Jan van Ecyk in 1432.

The Ghent Altarpiece The Virgin Mary

The Virgin Mary Saint Bavo Cathedral, Ghent, Belgium. The work was begun by Hubert van Eyck and upon his death in 1426 it was completed by his brother Jan van Ecyk in 1432.

HUBERT and JAN VAN EYCK:  The Ghent Altarpiece (wings closed), 1432, Oil on wood, 350 x 223 cm, Cathedral of St Bavo, Ghent. The realism of the figures of Adam and Eve at the far right and left on the open altarpiece struck contemporary viewers forcefully, and this style continues on the outside of the panels when the altarpiece is closed.

HUBERT and JAN VAN EYCK: The Ghent Altarpiece (wings closed), 1432, Oil on wood, 350 x 223 cm, Cathedral of St Bavo, Ghent. The realism of the figures of Adam and Eve at the far right and left on the open altarpiece struck contemporary viewers forcefully, and this style continues on the outside of the panels when the altarpiece is closed.

Cave to Canvas, Detail from the Arnolfini Portrait - Jan van Eyck,...

Cave to Canvas, Detail from the Arnolfini Portrait - Jan van Eyck,...

Self portait  - Jan van Eyck.  The  latin inscription on the frame reads "Jan van Eyck made me on 21 October 1433".  At the National Gallery.

Self portait - Jan van Eyck. The latin inscription on the frame reads "Jan van Eyck made me on 21 October 1433". At the National Gallery.

Annunciation Triptych (Merode Altarpiece), ca. 1427–1432  Workshop of Robert Campin (South Netherlandish, active by 1406, died 1444), central panel

Annunciation Triptych (Merode Altarpiece), ca. 1427–1432 Workshop of Robert Campin (South Netherlandish, active by 1406, died 1444), central panel

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