"Reaching through Distance. Love separated unwillingly" LG Edvard Munch - Eye in Eye 1894

"Reaching through Distance. Love separated unwillingly" LG Edvard Munch - Eye in Eye 1894

Edvard Munch, The Scream, 1893. He made two paintings, two pastels, and several lithographs of this, his most famous work.

The Scream Nail Art Set of 24 Full Nail Fusion Decals by Inspired Nails

Edvard Munch, The Scream, 1893. He made two paintings, two pastels, and several lithographs of this, his most famous work.

MAX ERNST "Attirement of the Bride (La Toilette de la mariée)" 1940. Oil on canvas, 129.6 x 96.3 cm. The Solomon R. Guggenheim Foundation, Peggy Guggenheim Collection, Venice

MAX ERNST "Attirement of the Bride (La Toilette de la mariée)" 1940. Oil on canvas, 129.6 x 96.3 cm. The Solomon R. Guggenheim Foundation, Peggy Guggenheim Collection, Venice

Because a man's sensitivity must often be repressed, the anima is one of the most significant autonomous complexes of all. It is said to manifest itself by appearing in dreams. (Painting: Max Ernst)

Because a man's sensitivity must often be repressed, the anima is one of the most significant autonomous complexes of all. It is said to manifest itself by appearing in dreams. (Painting: Max Ernst)

Max Ernst, The elephant Celebes, 1921 Surrealism Max Ernst often re-use images, he either added or removed pictures into his artworks in order to create new realities. This painting It combines the vivid, dreamlike atmosphere of Surrealism period. (-Re-ppined from Cynthia Wei)

Max Ernst, The elephant Celebes, 1921 Surrealism Max Ernst often re-use images, he either added or removed pictures into his artworks in order to create new realities. This painting It combines the vivid, dreamlike atmosphere of Surrealism period. (-Re-ppined from Cynthia Wei)

Max Ernst, La Femme 100 Têtes, 1929

(Brühl, Alemania, 1891 - París, Pintor y escultor alemán. Formó parte del movimiento dadaísta de Colonia, aunque desde 1919 y...

Max Ernst. Cover for Repetitions (1922). *eye is open but it can't see*

Max Ernst. Cover for Repetitions (1922). *eye is open but it can't see*

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